Wednesday, June 09, 2010

Part 6 of 10: Ten Favorite Places to Write (in no particular order)

I can't help it. I know it's cheesy - but I love Du-par's on Ventura Boulevard in Studio City.  I love the comfy red vinyl booths, I love the formica table tops.  I love the pie.

No WiFi, but great coffee, breakfast all day, open 24 hours.  Seriously, how can you go wrong?  The last time I was in Du-par's I saw Percy Daggs III at the next table over.  Always something cool going on at Du-par's.

Du-par's Studio City
12036 Ventura Blvd.
Studio City, CA 

(Oh, and if you're looking for someplace to write near Tom's Miracle Mile group, there's one at the Farmer's Market too! 6333 W. 3rd Street @ Fairfax Map Here.)

Tuesday, June 08, 2010

Part 4 of 10: Ten Favorite Places to Write (in no particular order)

One of my all time favorite places is Eats (actual name is Los Feliz Coffee Shop) - it's located on Los Feliz Boulevard in what is considered to be Atwater Village.  Eats is tucked in next to a small nine-hole golf course.  There is a practice putting green just behind the parking lot for the restaurant so if you need to clear your head take along your putter and a few balls to practice your green game in between paragraphs.

No WiFi but lovely seating outside and plenty of indoor seating including the classic coffee shop counter.
3207 Los Feliz Blvd
Los Angeles, CA 90039

Monday, June 07, 2010

LA Literati - Christopher Isherwood

Christopher Isherwood was born in England.  In 1929, he moved to Germany (where he wrote, among other things, Goodbye to Berlin which was the basis for the Broadway musical and film, Cabaret).

He moved to the states in 1939 and eventually settled in Hollywood.  He met Gerald Heard, the mystic-historian who founded his own monastery at Trabuco Canyon that was eventually bequested to the Vedanta Society of Southern California. Through Heard, who was the first to discover Swami Prabhavananda and Vedanta, Isherwood joined an extraordinary band of mystic explorers that included Aldous Huxley, Bertrand Russell, Chris Wood (Heard's lifelong friend), John Yale and J. Krishnamurti. He embraced Vedanta, and, together with Swami Prabhavananda, produced several Hindu scriptural translations, Vedanta essays, the biography Ramakrishna and His Disciples, novels, plays and screenplays, all imbued with the themes and character of Vedanta and the Upanishadic quest.

A chance encounter in a Los Angeles bookstore with the fantasy writer Ray Bradbury led to a favorable review of The Martian Chronicles, which boosted Bradbury's career and helped to form a friendship between the two men.

Isherwood became a naturalized citizen of the United States in 1946.  He began living with the photographer William (Bill) Caskey. In 1947 the two traveled to South America. Isherwood wrote the prose and Caskey provided the photographs for a 1949 book about their journey, The Condor and the Cows.

On Valentine's Day 1953, at the age of 48, he met teen-aged Don Bachardy among a group of friends on the beach at Santa Monica. Reports of Bachardy's age at the time vary, but Bachardy later said "at the time I was, probably, 16." Despite the age difference, this meeting began a partnership that, though interrupted by affairs and separations, continued until the end of Isherwood's life.  During the early months of their affair, Isherwood finished–and Bachardy typed–the novel he had been working on for some years, The World in the Evening (1954). Isherwood also taught a course on modern English literature at Los Angeles State College (now California State University, Los Angeles) for several years during the 1950s and early 1960s.

The more than 30-year age difference between Isherwood and Bachardy raised eyebrows at the time, with Bachardy, in his own words, "regarded as a sort of child prostitute" but the two became a well-known and well-established couple in Southern Californian society with many Hollywood friends.

Down There on a Visit, a novel published in 1962, comprised four related stories that overlap the period covered in his Berlin stories. In the opinion of many reviewers, Isherwood's finest achievement was his 1964 novel A Single Man, that depicted a day in the life of George, a middle-aged, gay Englishman who is a professor at a Los Angeles university.

Isherwood and Bachardy would live together until Isherwood's death in 1986 at the age of 81.

Friday, June 04, 2010

Beyond Baroque First Annual Poetry Contest

Beyond Baroque is one of the United States' leading independent Literary/Arts Centers and public spaces dedicated to literary and cultural production, contact, interaction, and community building. Founded in 1968, it is based in the Old Town Hall in Venice, California, near the Pacific Ocean. It offers a program of readings, free workshops, publishing, bookstore, archiving, and education.  Like most art / cultural centers, Beyond Baroque is struggling to meet its financial obligations.

Toward that end, they are hosting a Poetry Contest - so yes, there is a fee, but there are cash prizes for the top 3 poets ($500, $250, $100) and the reader's fee will go back into keeping the doors open on this beloved center.  The final judge will be Tony Barnstone

CONTEST RULES
1. Submit up to three unpublished poems, 40line limit.
2. All themes and styles welcome.
3. Deadline Sept. 1st. 2010 (postmarked)
4. No ID on poems; poet's name, address, phone, e-mail address and poem titles on cover sheet.
5. Send entries, including $15 reading fee, to: 
Beyond Baroque Contest
681 Venice Blvd., 
Venice, CA 90291.
6. Checks payable to Beyond Baroque
7. No SASE. Poems not returned.
Note: A reading/reception will be held for the three cash winners and five top finalists at Beyond Baroque on Sunday, Oct. 17, 2010.

Thursday, June 03, 2010

LAwritersgroup.com Member - 1st Place, Round 1 - NYCMidnight

WOO HOO!!! - A big shout out to LAwritersgroup.com member Brittany Klaus for winning FIRST PLACE in Round 1 of the NYCMidnight screenwriting contest.  The second round is this weekend and she has 24 hours to write a 15-page screenplay so let's send our writerly vibes her way!

ALSO!

Screamfest 2010 Call For Entries are now open for new feature length and short films and unproduced screenplays.  Winning films receive the coveted golden skull designed by legendary Stan Winston.  Winning screenplay receives $2,000 cash and Movie Magic Screenwriter. For more information or to download a submission form, go to www.screamfestla.com

Screamfest discovered the box office hit PARANORMAL ACTIVITY.  Are you the next big thing?

"A launching pad for burgeoning directors and screenwriters, Screamfest is dedicated to celebrating the often neglected and underappreciated horror genre.  Formed in 2001, Screamfest is one of the leading festivals of its kind and many of the movies and moviemakers showcased here have found distribution...." -MOVIEMAKER MAGAZINE

"When all other festivals were rejecting PARANORMAL ACTIVITY, Screamfest was the first and only festival at the time that accepted us.  We had a great premiere screening and got positive reviews as a result.  Shortly after, we got the attention of CAA and many distributors.  The rest, as they say, is history! But it all started at Srceamfest!" -Oren Peli

Wednesday, June 02, 2010

Your Hyphenate Brain – How Fiction Writers Can Play the Hollywood Game to Their Advantage

Today we're happy and excited to feature Zoë Green, a guest writer for LAwritersgroup.com!

Zoë Green has recently been hired to write projects for Rob Reiner and George Clooney and is currently writing a superhero(ine) movie for Stan Lee. To learn about writing for film/TV visit her site www.script-emergency.com

******

Picture the scene. A young woman emerges from film school, secures a literary agent and writes her first screenplay with the idea that she will sell it to Hollywood. It hits all the right notes – it’s a big budget sci-fi / fantasy extravaganza, and is hailed by all studio readers as a unique blend of character and ‘world building’. Compliments fly. High powered meetings ensue. But alas, no studio can actually buy it. The reason? The work is original and not based on an existing underlying intellectual property.

A number of years have passed. I (the young woman in question) have been lucky enough to build a screenwriting career from this original screenplay. It did the work of a good spec – it got me many meetings which led to much free ‘take’ work which led (eventually and often in anti linear fashion) to a number of TV and movie sales. But the cold hard truth remains that in today’s sputtering spec market an original screenplay will rarely sell unless it happens to be a commercial enough twist on a public domain concept to pique the interest of a studio. All those of you who want to see your own stories up there on screen may as well hang up your hats. But wait! There’s another way. Call it the double-edged sword. The buyers want original content to turn into movies. They are gasping for it – to the extent that producers rabidly comb short story websites, galley manuscripts, random tiny comic book imprints and blogs to find something, anything, with an existing built in audience, however tiny. So if you’re an aspiring screenwriter with a fictional bent, consider yourself as the progenitor of a multi-faceted creature ‘the idea’ and make sure that it exists in the right format for them to find. Come up with a high concept idea and get it published. Almost anywhere. And then make damn sure you have the screenwriting skills to insist that you get first pass at the script when they come clamoring to option it. It will serve you to have the screenplay version already written. They may well buy it from you and you could suddenly find yourself a card-carrying member of the WGA. You may even then be asked to write the tie-in movie novel in an interesting reversal of media. Result!

Remember this --- producers and studios have an endless devouring need for new material. So understand that a person who can strategically write both fiction and film may well be the only kind of person who can retain any kind of control over original ideas in this very precarious, ever shifting game.

Tuesday, June 01, 2010

Part 2 of 10: Ten Favorite Places to Write (in no particular order)

Our new South Bay writers group run by Nicole Criona starts tonight! To kick this new geographical age off, I thought I'd introduce you to a groovy place in her new neighborhood...

Java Man Coffee House is Hermosa Beach's oldest coffee house. It's housed in a 1920s bungalow! Java Man provides a variety of seating (in wonderful little niches and corners) that ranges from hard back chairs and tables to comfy couches and overstuffed chairs. They have a comprehensive breakfast and lunch menu and feature homemade soup! Of course, there is the all-important bonus of free WiFi!

The hours at Java Man would be a disadvantage (6 a.m. to 6 p.m. weekdays and 7 a.m. to 6 p.m. on the weekends) but the same people own Ocean Diner just up the street, an old fashioned coffee shop in the best tradition of formica tables and counter seating (open until 9 p.m. every day except Sunday when it closes at 3 p.m.)


Map here for Java Man Coffee House (emphasis on "house")
157 Pier Avenue, Hermosa Beach, CA 90254

Map here for Ocean Diner
959 Aviation Boulevard, Hermosa Beach, CA 90254